Joe Chambers, właśc. Joseph Arthur Chambers (ur. 25 czerwca 1942 w Stoneacre) – amerykański perkusista i kompozytor jazzowy, także pianista i wibrafonista, twórca albumów solowych oraz ceniony sideman, współpracujący z wieloma jazzmanami, takimi jak Donald Byrd, Chick Corea, Joe Henderson, Andrew Hill, Freddie Hubbard, Bobby Hutcherson, Charles Mingus, Woody Shaw, Archie Shepp czy Wayne Shorter.
Dyskografia Opracowano na podstawie materiału źródłowego.
Jako lider The Almoravid (Muse, 1974) New World (Finite, 1976) Double Exposure (Muse, 1977) New York Concerto (Baystate, 1981) Phantom of the City (Candid, 1991) Mirrors (Blue Note, 1998) The Outlaw (Savant, 2006) Horace to Max (Savant, 2010) Joe Chambers Moving Pictures Orchestra (Savant, 2012) Landscapes (Savant, 2016)
Jako sideman Franck Amsallem: Summer Times (Sunnyside, 2003) Donald Byrd: Mustang! (Blue Note, 1964) Fancy Free (Blue Note, 1969) Chick Corea: Tones for Joan’s Bones (Atlantic, 1966) Inner Space (Atlantic, 1966) Stanley Cowell: Brilliant Circles (Freedom, 1972) Back to the Beautiful (Concord, 1989) Miles Davis: The Complete In a Silent Way Sessions (Columbia, 1969) Art Farmer: Something Tasty (Baystate, 1979) Don Friedman: Metamorphosis (Prestige, 1966) Joe Henderson: Mode for Joe (Blue Note, 1966) Big Band (Verve, 1992) Andrew Hill: Andrew!!! (Blue Note, 1964) One for One (Blue Note, 1965) Compulsion (Blue Note, 1965) Freddie Hubbard: Breaking Point! (Blue Note, 1964) The Rose Tattoo (Baystate, 1983) Bobby Hutcherson: Dialogue (Blue Note, 1965) Components (Blue Note, 1965) Happenings (Blue Note, 1966) Spiral (Blue Note, 1965–1968) Oblique (Blue Note, 1967) Patterns (Blue Note, 1968) Total Eclipse (Blue Note, 1968) Medina (Blue Note, 1969) Now! (Blue Note, 1969) Blow Up (Jazz Music Yesterday, 1969) Hubert Laws: Wild Flower (Atlantic, 1972) M’Boom: Re: Percussion (Strata-East, 1973) M’Boom (Columbia, 1979) Collage (Soul Note, 1984) To the Max! (Enja, 1990–91) Charles Mingus: Charles Mingus and Friends in Concert (Columbia, 1972) Something Like a Bird (Atlantic, 1978) Me, Myself an Eye (Atlantic, 1978) Sam Rivers: Contours (Blue Note Records, 1965) Woody Shaw: In the Beginning (Muse 1965) The Iron Men (Muse, 1977) Archie Shepp: Fire Music (Impulse!, 1965) On This Night (Impulse!, 1965) New Thing at Newport (Impulse!, 1965) For Losers (Impulse!, 1969) Kwanza (Impulse!, 1969) On Green Dolphin Street (Denon, 1977) Wayne Shorter: Etcetera (Blue Note, 1965) The All Seeing Eye (Blue Note, 1965) Adam’s Apple (Blue Note, 1966) Schizophrenia (Blue Note, 1967) Ed Summerlin: Sum of the Parts (Ictus, 1998) The Super Jazz Trio: The Super Jazz Trio (Baystate, 1978) The Standard (Baystate, 1980) Hidefumi Toki: City (Baystate, 1978) Charles Tolliver: Paper Man (Freedom, 1968) McCoy Tyner: Tender Moments (Blue Note, 1967) Miroslav Vitouš: Infinite Search (Embryo, 1969) Tyrone Washington: Natural Essence (Blue Note, 1967) Joe Zawinul: Zawinul (Atlantic, 1970)
Przypisy
Bibliografia >Richard Cook, Brian Morton: The Penguin Guide to Jazz Recordings, Penguin 2008, . >Dionizy Piątkowski, Encyklopedia muzyki popularnej – JAZZ, Oficyna Wydawnicza Atena 2005, . >The Rough Guide to Jazz (Second Edition), ed. by Ian Carr, Digby Fairweather, Brian Priestley, Rough Guides 2000, .
Linki zewnętrzne Joe Chambers, strona oficjalna Joe Chambers w All About Jazz Joe Chambers w AllMusic Joe Chambers w Discogs Joe Chambers w Rate Your Music
Kategoria:Urodzeni w 1942 Kategoria:Amerykańscy perkusiści jazzowi Kategoria:Amerykańscy muzycy sesyjni