vignette|Art Blakey. L'article présente une liste des albums enregistrés par le batteur de jazz américain Art Blakey.
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{| align="center" cellspacing="0" cellpadding="4" width="90%" |- style="background:#DFDFDF; text-align:left" ! width="10%" style="border-bottom:2px solid grey;text-align:left"|Dernière session ! width="43%" style="border-bottom:2px solid grey;text-align:left"|Nom de l'album ! width="12%" style="border-bottom:2px solid grey;text-align:left"|Label ! width="13%" style="border-bottom:2px solid grey;text-align:left"|Évaluation AllMusic ! width="13%" style="border-bottom:2px solid grey;text-align:left"|Penguin Guide to Jazz |- | rowspan="1" style="border-bottom:1px solid grey;"|1953 | style="border-bottom:1px solid grey;"|Art Blakey & the Jazz Messengers | style="border-bottom:1px solid grey;"|Birdland | style="border-bottom:1px solid grey;"| | style="border-bottom:1px solid grey;"| |- | rowspan="3" style="border-bottom:1px solid grey;"|1954 | style="border-bottom:1px solid grey;"|A Night at Birdland Vol. 1 | style="border-bottom:1px solid grey;"|Blue Note | style="border-bottom:1px solid grey;"| | style="border-bottom:1px solid grey;"| |- | style="border-bottom:1px solid grey;"|A Night at Birdland Vol. 2 | style="border-bottom:1px solid grey;"|Blue Note | style="border-bottom:1px solid grey;"| | style="border-bottom:1px solid grey;"| |- | style="border-bottom:1px solid grey;"|A Night at Birdland Vol. 3 | style="border-bottom:1px solid grey;"|Blue Note | style="border-bottom:1px solid grey;"| | style="border-bottom:1px solid grey;"| |- | rowspan="2" style="border-bottom:1px solid grey;"|1955 | style="border-bottom:1px solid grey;"|At the Cafe Bohemia, Vol. 1 | style="border-bottom:1px solid grey;"|Blue Note | style="border-bottom:1px solid grey;"| | style="border-bottom:1px solid grey;"| |- | style="border-bottom:1px solid grey;"|At the Cafe Bohemia, Vol. 2 | style="border-bottom:1px solid grey;"|Blue Note | style="border-bottom:1px solid grey;"| | style="border-bottom:1px solid grey;"| |- | rowspan="5" style="border-bottom:1px solid grey;"|1956 | style="border-bottom:1px solid grey;"|The Jazz Messengers | style="border-bottom:1px solid grey;"|Columbia Philips | style="border-bottom:1px solid grey;"| | style="border-bottom:1px solid grey;"| |- | style="border-bottom:1px solid grey;"|Originally | style="border-bottom:1px solid grey;"|Columbia | style="border-bottom:1px solid grey;"| | style="border-bottom:1px solid grey;"| |- | style="border-bottom:1px solid grey;"|Drum Suite | style="border-bottom:1px solid grey;"|Columbia/Philips | style="border-bottom:1px solid grey;"| | style="border-bottom:1px solid grey;"| |- | style="border-bottom:1px solid grey;"|Hard Bop | style="border-bottom:1px solid grey;"|Columbia/Philips | style="border-bottom:1px solid grey;"| | style="border-bottom:1px solid grey;"| |- | style="border-bottom:1px solid grey;"|Hard Drive | style="border-bottom:1px solid grey;"|Rhino | style="border-bottom:1px solid grey;"| | style="border-bottom:1px solid grey;"| |- | rowspan="9" style="border-bottom:1px solid grey;"|1957 | style="border-bottom:1px solid grey;"|Art Blakey & His Rhythm | style="border-bottom:1px solid grey;"|Columbia | style="border-bottom:1px solid grey;"| | style="border-bottom:1px solid grey;"| |- | style="border-bottom:1px solid grey;"|Once Upon a Groove | style="border-bottom:1px solid grey;"|Blue Note | style="border-bottom:1px solid grey;"| | style="border-bottom:1px solid grey;"| |- | style="border-bottom:1px solid grey;"|Mirage | style="border-bottom:1px solid grey;"|Savoy | style="border-bottom:1px solid grey;"| | style="border-bottom:1px solid grey;"| |- | style="border-bottom:1px solid grey;"|A Night in Tunisia | style="border-bottom:1px solid grey;"|Bluebird/RCA | style="border-bottom:1px solid grey;"| | style="border-bottom:1px solid grey;"| |- | style="border-bottom:1px solid grey;"|Ritual: The Modern Jazz Messengers | style="border-bottom:1px solid grey;"|Blue Note | style="border-bottom:1px solid grey;"| | style="border-bottom:1px solid grey;"| |- | style="border-bottom:1px solid grey;"|Orgy in Rhythm, Vol. 1 | style="border-bottom:1px solid grey;"|Blue Note | style="border-bottom:1px solid grey;"| | style="border-bottom:1px solid grey;"| |- | style="border-bottom:1px solid grey;"|Orgy in Rhythm, Vol. 2 | style="border-bottom:1px solid grey;"|Blue Note | style="border-bottom:1px solid grey;"| | style="border-bottom:1px solid grey;"| |- | style="border-bottom:1px solid grey;"|Theory of Art | style="border-bottom:1px solid grey;"|Bluebird/RCA | style="border-bottom:1px solid grey;"| | style="border-bottom:1px solid grey;"| |- | style="border-bottom:1px solid grey;"|Art Blakey's Jazz Messengers With Thelonious Monk | style="border-bottom:1px solid grey;"|Atlantic | style="border-bottom:1px solid grey;"| | style="border-bottom:1px solid grey;"|« Couronne » |- | rowspan="4" style="border-bottom:1px solid grey;"|1958 | style="border-bottom:1px solid grey;"|Moanin' | style="border-bottom:1px solid grey;"|Blue Note | style="border-bottom:1px solid grey;"| | style="border-bottom:1px solid grey;"| |- | style="border-bottom:1px solid grey;"|Holiday for Skins, Vol. 1 | style="border-bottom:1px solid grey;"|Blue Note | style="border-bottom:1px solid grey;"| | style="border-bottom:1px solid grey;"| |- | style="border-bottom:1px solid grey;"|Holiday for Skins, Vol. 2 | style="border-bottom:1px solid grey;"|Blue Note | style="border-bottom:1px solid grey;"| | style="border-bottom:1px solid grey;"| |- | style="border-bottom:1px solid grey;"|Des femmes disparaissent | style="border-bottom:1px solid grey;"|Fontana | style="border-bottom:1px solid grey;"| | style="border-bottom:1px solid grey;"| |- | rowspan="4" style="border-bottom:1px solid grey;"|1959 | style="border-bottom:1px solid grey;"|Africaine | style="border-bottom:1px solid grey;"|Blue Note | style="border-bottom:1px solid grey;"| | style="border-bottom:1px solid grey;"| |- | style="border-bottom:1px solid grey;"|At the Jazz Corner of the World, Vol. 1-2 | style="border-bottom:1px solid grey;"|Blue Note | style="border-bottom:1px solid grey;"| | style="border-bottom:1px solid grey;"| |- | style="border-bottom:1px solid grey;"|Drums Around the Corner | style="border-bottom:1px solid grey;"|Blue Note | style="border-bottom:1px solid grey;"| | style="border-bottom:1px solid grey;"| |- | style="border-bottom:1px solid grey;"|Paris Jam Session | style="border-bottom:1px solid grey;"|EmArcy | style="border-bottom:1px solid grey;"| | style="border-bottom:1px solid grey;"| |- | rowspan="5" style="border-bottom:1px solid grey;"|1960 | style="border-bottom:1px solid grey;"|The Big Beat | style="border-bottom:1px solid grey;"|Blue Note | style="border-bottom:1px solid grey;"| | style="border-bottom:1px solid grey;"| |- | style="border-bottom:1px solid grey;"|Like Someone in Love | style="border-bottom:1px solid grey;"|Blue Note | style="border-bottom:1px solid grey;"| | style="border-bottom:1px solid grey;"| |- | style="border-bottom:1px solid grey;"|A Night in Tunisia | style="border-bottom:1px solid grey;"|Blue Note | style="border-bottom:1px solid grey;"| | style="border-bottom:1px solid grey;"| |- | style="border-bottom:1px solid grey;"|Meet You at the Jazz Corner of the World, Vol. 1 | style="border-bottom:1px solid grey;"|Blue Note | style="border-bottom:1px solid grey;"| | style="border-bottom:1px solid grey;"| |- | style="border-bottom:1px solid grey;"|Meet You at the Jazz Corner of the World, Vol. 2 | style="border-bottom:1px solid grey;"|Blue Note | style="border-bottom:1px solid grey;"| | style="border-bottom:1px solid grey;"| |- | rowspan="7" style="border-bottom:1px solid grey;"|1961 | style="border-bottom:1px solid grey;"|Pisces | style="border-bottom:1px solid grey;"|Blue Note | style="border-bottom:1px solid grey;"| | style="border-bottom:1px solid grey;"| |- | style="border-bottom:1px solid grey;"|Roots & Herbs | style="border-bottom:1px solid grey;"|Blue Note | style="border-bottom:1px solid grey;"| | style="border-bottom:1px solid grey;"| |- | style="border-bottom:1px solid grey;"|The Witch Doctor | style="border-bottom:1px solid grey;"|Blue Note | style="border-bottom:1px solid grey;"| | style="border-bottom:1px solid grey;"| |- | style="border-bottom:1px solid grey;"|The Freedom Rider | style="border-bottom:1px solid grey;"|Blue Note | style="border-bottom:1px solid grey;"| | style="border-bottom:1px solid grey;"| |- | style="border-bottom:1px solid grey;"|Mosaic | style="border-bottom:1px solid grey;"|Blue Note | style="border-bottom:1px solid grey;"| | style="border-bottom:1px solid grey;"| |- | style="border-bottom:1px solid grey;"|Buhaina's Delight | style="border-bottom:1px solid grey;"|Blue Note | style="border-bottom:1px solid grey;"| | style="border-bottom:1px solid grey;"| |- | style="border-bottom:1px solid grey;"|Art Blakey!! Jazz Messengers!! | style="border-bottom:1px solid grey;"|Impulse! | style="border-bottom:1px solid grey;"| | style="border-bottom:1px solid grey;"| |- | rowspan="3" style="border-bottom:1px solid grey;"|1962 | style="border-bottom:1px solid grey;"|The African Beat | style="border-bottom:1px solid grey;"|Blue Note | style="border-bottom:1px solid grey;"| | style="border-bottom:1px solid grey;"| |- | style="border-bottom:1px solid grey;"|Three Blind Mice | style="border-bottom:1px solid grey;"|Blue Note | style="border-bottom:1px solid grey;"| | style="border-bottom:1px solid grey;"| |- | style="border-bottom:1px solid grey;"|Caravan | style="border-bottom:1px solid grey;"|Riverside | style="border-bottom:1px solid grey;"| | style="border-bottom:1px solid grey;"| |- | rowspan="2" style="border-bottom:1px solid grey;"|1963 | style="border-bottom:1px solid grey;"|Ugetsu | style="border-bottom:1px solid grey;"|Riverside | style="border-bottom:1px solid grey;"| | style="border-bottom:1px solid grey;"| |- | style="border-bottom:1px solid grey;"|A Jazz Message | style="border-bottom:1px solid grey;"|Impulse! | style="border-bottom:1px solid grey;"| | style="border-bottom:1px solid grey;"| |- | rowspan="3" style="border-bottom:1px solid grey;"|1964 | style="border-bottom:1px solid grey;"|Free for All | style="border-bottom:1px solid grey;"|Blue Note | style="border-bottom:1px solid grey;"| | style="border-bottom:1px solid grey;"| |- | style="border-bottom:1px solid grey;"|Indestructible | style="border-bottom:1px solid grey;"|Blue Note | style="border-bottom:1px solid grey;"| | style="border-bottom:1px solid grey;"| |- | style="border-bottom:1px solid grey;"|Kyoto | style="border-bottom:1px solid grey;"|Riverside | style="border-bottom:1px solid grey;"| | style="border-bottom:1px solid grey;"| |- |1966 | |Limelight
| rowspan="1" style="border-bottom:1px solid grey;"|1973 | style="border-bottom:1px solid grey;"|Anthenagin | style="border-bottom:1px solid grey;"|Prestige | style="border-bottom:1px solid grey;"| | style="border-bottom:1px solid grey;"| |- | rowspan="1" style="border-bottom:1px solid grey;"|1977 | style="border-bottom:1px solid grey;"|In My Prime, Vol. 1 | style="border-bottom:1px solid grey;"|Timeless | style="border-bottom:1px solid grey;"| | style="border-bottom:1px solid grey;"| |- | rowspan="1" style="border-bottom:1px solid grey;"|1978 | style="border-bottom:1px solid grey;"|Reflections in Blue | style="border-bottom:1px solid grey;"|Timeless | style="border-bottom:1px solid grey;"| | style="border-bottom:1px solid grey;"| |- | rowspan="1" style="border-bottom:1px solid grey;"|1979 | style="border-bottom:1px solid grey;"|Night in Tunisia | style="border-bottom:1px solid grey;"|Philips | style="border-bottom:1px solid grey;"| | style="border-bottom:1px solid grey;"| |- | rowspan="1" style="border-bottom:1px solid grey;"|1980 | style="border-bottom:1px solid grey;"|Live at Montreux and Northsea | style="border-bottom:1px solid grey;"|Timeless | style="border-bottom:1px solid grey;"|