Karl Amadeus Hartmann ( — ) foi um compositor alemão.

Obras Óperas Wachsfigurenkabinett, five short operas (1929-30; three not completed), libretti by Erich Bormann Das Leben und Sterben des heiligen Teufels Der Mann, der vom Tode auferstand (unfinished; completed by Günter Bialas and Hans Werner Henze) Chaplin-Ford-Trott, 'scenic jazz cantata' (unfinished; completed by Wilfried Hiller) Fürwahr? (unfinished; completed by Henze) Die Witwe von Ephesus Des Simplicius Simplicissimus Jugend (1934-35; revised 1956-57 as Simplicius Simplicissimus), libretto by Hermann Scherchen, Wolfgang Petzer and Hartmann after Jakob von Grimmelhausen

Sinfónico Miserae, Symphonic Poem (1933-4) Symphony L’Oeuvre (1937-8; material re-used in Symphony No.6) Symphonic Concerto for string orchestra and soprano (1938; later partly used in Symphony No.4) Sinfonia Tragica (1940, rev. 1943; first movement re-used in Symphony No.3) Symphoniae Drammaticae (1941-43), consisting of: Overture China kampft (1942, rev. 1962 as Symphonische Ouvertüre) Symphonische Hymnen (1941-3) Symphonic Suite Vita Nova for reciter and orchestra (1941-2, unfinished) Adagio for large orchestra (1940-44, revised as Symphony No.2) Symphony Klagegesang (1944; portions re-used in Symphony No.3)

Symphony No.1, Versuch eines Requiem for alto and orchestra (1950) – revised version of Symphonisches Fragment Symphony No.2 (1946) – revised version of Adagio Symphony No.3 (1948-9) – adapted from portions of Symphony Klagegesang and Sinfonia Tragica Symphony No.4 for string orchestra (1947-8) – adapted from Symphonic Concerto for strings Symphony No.5, Symphonie concertante (1950) – adapted from Concerto for wind and double basses Symphony No.6 (1951-3) – adapted from Symphony L’Oeuvre Symphony No.7 (1957-8) Symphony No.8 (1960-62)

Concertos Lied for trumpet and wind instruments (1932) Concerto for wind instruments and solo trumpet (1933); recomposed as Concerto for wind instruments and double basses (1948-9), whence Symphony No.5 Cello Concerto (1933, lost, probably unfinished) Symphonie-Divertissement for bassoon, tenor trombone, double bass and chamber orchestra (c. 1934, unfinished) Kammerkonzert for clarinet, string quartet and string orchestra (1930-35) Concerto funebre for violin and string orchestra (1939, rev. 1959) (originally entitled Musik der Trauer) Concerto for piano, wind instruments and percussion (1953) Concerto for viola, piano, wind instruments and percussion (1954-6)

Vocal Cantata (1929) for 6-part a cappella choir on texts by Johannes R. Becher and Karl Marx Profane Messe (1929) for a cappella chorus on a text by Max See Kantate for soprano and orchestra on texts by Walt Whitman (1936); later retitled Lamento and in 1938 revised as Symphonisches Fragment, whence Symphony No.1 Friede Anno '48 (1936-37) for soprano solo, mixed chorus and piano; revised 1955 as Lamento for soprano and piano Gesangsszene (1962-63) for baritone and orchestra on a text from Sodom and Gomorrah by Jean Giraudoux

Câmara e Instrumental 2 Kleine Suites for piano (c. 1924-6) 2 Sonatas for unaccompanied violin (1927) 2 Suites for Unaccompanied violin (1927) Jazz Toccata and Fugue for piano (1927-8) Tanzsuite for clarinet, bassoon, horn, trumpet and trombone (1931) Kleines Konzert for string quartet and percussion (1932) Burleske Musik for wind instruments, percussion and piano (1931) Sonatina for piano (1931) Toccata variata for wind instruments, piano and percussion (1931-2) Piano Sonata No.1 (1932) String Quartet No.1, Carillon (1933) Piano Sonata No.2, 24.IV.45 (1945) String Quartet No.2 (1945-6)

Fontes The Lebrecht Weekly

Ligações externas biografia Orel Foundation Karl Amadeus Hartmann. Text about K. A. Hartmann Biography

Categoria:Compositores da Alemanha Categoria:Compositores de ópera Categoria:Sepultados no Waldfriedhof de Munique Categoria:Mortes por câncer de estômago